Textes des conférences

Factors Influencing the Perception of Rhythmic Similarity

Enjoying Gospel Drumming:The Problematic Interpretation of Black Musicianship Via Post-Racial Ideology

La Flûte enchantée de Bergman ou l’enjeu de la démocratisation : A quel public l’opéra s’adresse-t-il ?

Isang Yun and the Hauptton Technique:An Analytical Study of the Second Movement from Duo für Violoncello und Harfe (1984)

Effect of Aging on Music-Evoked Autobiographical Memory

Conceptual Metaphor Theory and the Conceptualization of Music

Repetition and Developing Variation in terms of Derrida’s Concept of the Trace

Reconstruction of Nijinsky’s choreography: Reconsider Music in The Rite of Spring

Timbre blending of wind instruments:acoustics and perception

The Concept of Unity in Musical Analysis: Some Ontological Issues

The Perception and Learning of Contextually-defined Inversion Operators in Transformational Pitch Patterns

The case of L’escalier du diable by György Ligeti