Program

Thursday, May 24, 2012

 Sauf indication contraires les conférences auront lieu au local B-520 et les pauses-café au salon de la doyenne (B-420) de la Faculté de musique de l’Université de Montréal
200 Vincent-d’Indy, Montréal (métro Édouard-Montpetit)

 

12:30pm

Welcome and Registration

 

1:00pm – 1:15pm

Opening of the conference
Florence Leyssieux, responsable du colloque
Michel Duchesneau, superviseur
Isabelle Panneton, doyenne de la Faculté de musique de l’Université de Montréal

 

MUSICOLOGIE(S)

Session chair: Florence Leyssieux

 

1:15pm – 2:15 pm

KEYNOTE ADDRESS
Guest speaker
Jean-Jacques Nattiez (Université de Montréal, Canada), Musicologie historique, ethnomusicologie, analyse : une musicologie générale est-elle possible?

 

2:15pm – 2:30pm

Break

 

2:30pm – 3:30pm

Sinae Kim (Université d’Ottawa), Isang Yun’s Duo für Violoncello und Harfe (1984) and the Hauptton Technique
William van Geest (McGill University), The Concept of Unity in Musical Analysis: Some Ontological Issues

 

 

3:30pm – 3:45pm

Break

 

3:45pm – 4:45pm

Sophie Théron (Université Paris-Sorbonne), When Music meets Mathematics and Fine Arts: The case of L’escalier du Diable by György Ligeti
Yinan Cao (McGill University), Jonathan Wild (McGill University), Stephen McAdams (McGill University), The Perception and Learning of Contextually-defined Inversion Operators in transformational Pitch Patterns

 

5:30pm

Welcome cocktail

 

7:00pm

Restaurant La Petite Marche, 5035, rue St-Denis (métro Laurier)
Presenters’s dinner

 

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Friday, May 25, 2012 

Sauf indication contraires les activités de la journée auront lieu au BRAMS
1420, boulevard Mont-Royal, Montréal (métro Édouard-Montpetit)

 

8:30am

Welcome and Registration

 

THE LANGUAGES OF MUSIC

Session chair: Ariane Couture

 

9:00am – 10:30am

Melissa Murphy (Northwestern University), Development of Improvisational Schemata
Alexandre Siqueira de Freitas (Université de São Paulo / Université Paris –Sorbonne), J.S. Bach in the style of Paul Klee
Hyekyung Park (University of Buffalo), Repetition and Developing  Variation in terms of Derrida’s Concept of the Trace

 

10:30am – 11:00pm

Break

 

11:00am – 12:00

Alexandra Jandausch (Université de Cologne), Conceptual Metaphor Theory and the Conceptualization of Music
Maryse Lavoie (Université de Montréal), Michel Salvail (Université Laval), Francis Dubé (Université Laval), Caroline Traube (Université de Montréal), Communication strategies regarding expressive sound production in the context of classical guitar master classes

 

 

12:00pm – 1:30pm

Claude-Champagne’s Hall
Lunch du Cercle de musicologie

 

MUSIC SOCIOLOGY

Session chair: Justine Comtois

 

1:30pm – 3:00pm

Justin Bernard (Université de Montréal), Pour quel public l’opéra est-il conçu ? L’exemple de la Flûte enchantée de Bergman
Daniel Stadnicki (Carleton University), Enjoying Gospel Drumming: interpreting Black music through Post Racist Ideology
Florence Leyssieux (Université de Montréal), Music, Immigration and integration in Quebec

 

3:00pm – 3:15pm

Break

 

3:15pm – 4:15pm

Guest speaker
Pierre-Michel Menger (EHESS, France), Variabilité et durabilité des œuvres musicales

 

5:00pm

Bourgie Concert Hall, Claire and Marc Bourgie Pavilion, The Montreal Museum of Fine Arts, 1339, Sherbrooke Ouest
Guided tour (for presenters only)
The collection of Canadian art: Leduc, Borduas and Riopelle

 

 

6:30pm

Bourgie Concert Hall, Claire and Marc Bourgie Pavilion, The Montreal Museum of Fine Arts, 1339, Sherbrooke Ouest

  • Concert (for presenters only)
  • Tribute to Leduc, Borduas and Riopelle

Musical creations and contemporary works by young Quebec composer Simon Martin, inspired by works in the Museum’s collection of Canadian art: Mauve Twilight by Ozias Leduc, Midnight Sun (Quartet in White) by Jean-Paul Riopelle and Composition 69 by Paul-Émile Borduas. A production of Projections libérantes.

 

8:00pm

Restaurant La Méditerranée, 1231, de la Montagne
Presenters’s dinner

 

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Saturday, May 26, 2012

Sauf indication contraires toutes les activités ont lieu au BRAMS
1420, boulevard Mont-Royal, Montréal (métro Édouard-Montpetit)

 

8:30am

Welcome and Registration

 

MUSIC PERCEPTION

Session chair: Michel Bernays

 

9:00am – 10:00am

Guest speaker
Nathalie Gosselin (Université de Montréal), Musical emotions: From a neurocognitive perspective

 

 

10:00am – 10:15am

Break

 

10:15am – 12:15am

Frédéric Chiasson (Université de Montréal), Koechlin’s Volume: testing largeness Perception of Instruments for Orchestration
Sven-Amin Lembke (McGill University), Timbre Blending of Wind Instruments: Acoustics and Perception
Daniel Cameron (University of Western Ontario), Keith Potter (Goldsmiths, University of London), Geraint Wiggins (Queen Mary, University of London), Marcus Pearce (Queen Mary, University of London), Perception of Rhythmic Similarity in Steve Reich’s Clapping Music
Meghan Collett (Queen’s University),  Janice Lee (Queenʼs University), Kevin Shabahang (Queenʼs University), Ashley D. Vanstone (Queenʼs University), Lola L. Cuddy (Queenʼs University), Music-Evoked Autobiographical Memories: Effects of Aging

 

12:15pm – 1:30pm

Lunch

 

POPULAR MUSIC

Session chair: Catherine Lefrançois

 

1:30pm – 2:30pm

Cora Palfy (Northwestern University), Daft Punk
Anthony Papavassiliou (Université de Montréal), Methodological analysis of an IDM work

 

2:30pm – 3:30pm

Guest speaker
Serge Lacasse (Université Laval, Canada), Slave to the Supradiegetic Rhythm: A Micro–Rhythmic Analysis of Creaky Voice in Sia’s ‘Breath Me’

 

3:30pm – 3:50pm

Break

 

3:50pm – 5:00pm

Assessment
Guest of Honour
Richard Parncutt (Université de Graz, Autriche), Can humanities and sciences really work together?

 

5:00pm – 5:30pm

SysMus Meeting (for organisers only)